Videography
“ The Modern Woman Checklist “
The Production -Written, directed, shot & edited by Mira Isadora
The Concept - The project was built around the idea of “the modern woman” always needing to have everything with her at all times — inspired by an oversized bag I designed as both a functional object and an exaggerated symbol of having your life together. Rather than presenting the product through a traditional fashion campaign, I wanted to build an entire world and attitude around it.
Blending fashion aesthetics with subtle satire, the film explores the pressure to remain effortlessly stylish, productive, and composed at all times. Shot inside the former Stockholm School of Architecture, now A-house, the raw concrete space helped shape the campaign’s surreal and slightly absurd undertone, while rhythmic editing, layered SFX, and music-driven pacing became central to its visual identity.
Sospeso Stockholm
The Production -Written, directed, shot & edited by Mira Isadora
The Concept - Rather than approaching the project as a traditional café commercial, the focus was on building a sensory portrait of the space: the fast-paced espresso culture, the sound of cups and conversation, the movement behind the counter, and the warm, slightly chaotic energy of a Southern European neighborhood café. Through rhythmic editing, layered ambient sound, and an uptempo pace, the film aims to recreate the feeling of stumbling into a small piece of Little Italy in the middle of Stockholm.
Vicky Ink - Beehive Tattoo Studio
The Production -Written, directed, shot & edited by Mira Isadora
The Concept - Centered around the studio’s calm and intimate atmosphere, the project focuses on the tactile and deeply personal experience of getting a tattoo - from sketching and preparation to the quiet precision of the craft itself. Through soft pacing, detailed close-ups, and a warm, restrained soundscape, the film aims to capture the studio not only as a workspace, but as a safe and creative space built around trust, artistry, and human connection.
Woodland Motors
The Production -Written, directed, shot & edited by Mira Isadora
The Concept - Centered around the atmosphere and personality of Woodland Motors, the project focused on capturing the garage as more than just a workshop — but as a carefully curated world shaped by craftsmanship, classic car culture, and a deep passion for design and engines.
Rather than documenting the business in a traditional commercial sense, the visual direction leaned into the feeling of stepping into the space itself: somewhere between a collector’s archive, a hobby museum, and a working garage. Through tactile close-ups, restrained pacing, and detail-driven cinematography, the project aimed to highlight the character, textures, and lived-in atmosphere that define the space.
Showreel - Graphics
The Production -Directed & edited by Mira Isadora
The Concept - Built around fast-paced editing, graphic motion, and music-driven pacing, the project explores rhythm as a visual language in itself. Using layered typography, animated graphics, and stylized visual effects, the focus was placed on creating momentum, precision, and energy through synchronization between sound and image.
GASH - The Skirt
The Production -Written, directed, shot & edited by Mira Isadora
The Concept - The project explores the transformation of a discarded leather skirt into three entirely new objects — a bag, a pouch, and a keyring — all created from 100% reused materials for GASH Stockholm.
Shot from a continuous overhead perspective, the process is broken down step by step: deconstructing the original garment, cutting pattern pieces, rearranging materials, and assembling the final products almost like a puzzle. Through tactile sound design, rhythmic editing, and detailed close-ups of both soft textiles and metal hardware, the focus was placed equally on craftsmanship, sustainability, and the physical relationship between material and process.
Teater Maxim - The Reopening
The Concept - Created ahead of the 2025 reopening of Maximteatern, the project focused on building a cinematic trailer and visual identity for a space that had not yet physically opened to the public.
With only architectural sketches, interior renderings, and early concept material available, the challenge became translating an unfinished vision into a fully formed atmosphere. By combining stock footage with static visual material from the architects, the project aimed to create a sense of mood, culture, and anticipation around the future venue. Through rhythmic editing, layered sound design, and carefully curated imagery, the trailer was built to feel immersive and emotionally grounded despite the limited source material available.
Textile Work
All creations below are entirely designed, drafted and sewn by me.
Photography
Fine Art
Graphic Design
